pranav← All posts
007 / Photo essay / Japan / Mar 2026

Japan

A dense crowd crossing a wide intersection below billboards and screens
Shibuya Crossing, late morning.

A few weeks travelling from Tokyo — inland to Matsumoto, over to Kanazawa, then Kyoto and Osaka, and back.

Japan had been on my list for a long time.

I remember hearing about the bullet trains when I was in school. Much later, a couple of conversations made me seriously want to visit. An Airbnb host in Chennai told me how impressed he had been by how efficient everything was. A friend who travels a lot went further—after visiting Japan, he said he didn’t really want to travel anywhere else. He’d rather just keep going back.

I was curious about it for many of the obvious reasons too: technology, gaming, trains, and a culture that seemed quite different from anywhere I’d been before.

Earlier this year, my wife and I finally went. We spent about three weeks travelling from Tokyo to Matsumoto, Kanazawa, Kyoto and Osaka, before returning to Tokyo. On the way back to Bangalore, we also had a long layover in Hong Kong and spent the day exploring the city.

Central Honshu — the routeCentral Honshu between the Sea of Japan and the Pacific, marking Tokyo, Matsumoto, Shirakawa-go, Kanazawa, Kyoto and Osaka along a route that runs inland through the mountains and returns to Tokyo along the coast.Coastline derived from Natural Earth public-domain vector data.Sea of JapanPacific OceanJAPANESE ALPSALPSTokyoSTART / ENDMatsumotoIN THE MOUNTAINSKanazawaShirakawa-goKyotoOsaka
Inland through the mountains, over to the Sea of Japan, then south — and back along the Pacific.

My first impression of Japan was simply how clean it was. We took a bus from Narita into Tokyo, and even from the window, the roads and streets looked almost pristine.

A small bar seen through a doorway, warm lamplight over a crowded counter, a handwritten sign in the foreground
A very small bar in Tokyo. The sign at the door says first-timers are welcome, and then, underneath, MEMBERS ONLY.

Over the next few weeks, I started noticing the same attention to detail everywhere.

People kept small plants outside their houses, often carefully trimmed and maintained. Shop signs, posters and packaging were unusually well designed. Even fairly ordinary things seemed to have had someone think about how they should look and work.

The corner of a museum building covered in large red polka dots, with YAYOI KUSAMA lettered across it
A whole building given over to someone’s dots.
A wooden tray holding a bowl of noodle soup with beef and enoki, a plate of tempura, and a raw egg in a small bowl
Lunch, arranged.
A road excavation at night lit by a large balloon lamp, with a digger, a tipper truck and workers in hi-vis
Roadworks after dark, lit like a stage.

That extended to much bigger things too.

Shibuya and Shinjuku could be incredibly crowded, but I rarely found them stressful in the way crowded places often are. Thousands of people might be moving through a station, but there was a sense of order to it. Signs told you where to go. People seemed aware of the people around them. The chaos had structure.

Black and white view of a station concourse, overhead signs pointing to ticket machines, shops, lockers and gates, with people waiting in rows of seats
Signs pointing at everything, in two languages.

Then we’d go somewhere like Matsumoto and everything would slow down. At our Airbnb, we were told to let them know if we planned to return after 10 PM because nobody would be around that late. It felt very far removed from Tokyo, where the city seemed capable of continuing indefinitely.

A taxi driver in a suit standing beside his cab on an empty street at night, the for-hire sign lit inside the windscreen
A driver waiting on an empty street.

I had expected Japan to be difficult to travel through. I don’t speak Japanese, relatively few people spoke English, and I expected the cultural and language differences to create a lot of friction. They didn’t. Japan felt distinctly Japanese—more so than most countries I’ve travelled to—but getting around and figuring out everyday things was surprisingly easy.

A black castle keep and a red arched bridge reflected in still water at sunrise
Matsumoto Castle at sunrise, from across the moat.
A garden pond with clipped shrubs, a stone lantern and a low stone bridge, a wooden pavilion across the water
Nothing in a garden like this is accidental.

One of my favourite memories, though, has very little to do with any of this.

One evening in Kanazawa, my wife and I came across a small eyeglass shop while walking around. She had heard that Japan was a good place to buy glasses, so we went in.

The elderly man running the shop must have been in his eighties. He didn’t speak English and we didn’t speak Japanese, so most of the conversation happened through gestures and Google Translate. At some point he realised we were from India—“Indo?”—and started telling us about Indian friends he’d made while working at an embassy.

We were about to leave when he stopped us and gave us a bracelet he had made.

Then I noticed some old postage stamps beside one of the display cabinets. I pointed at them and tried to ask whether he collected stamps. I’m still not sure he understood the question. But he immediately picked them up and gave them to me.

I tried to refuse. He insisted.

They were stamps cut from letters that friends had sent him over the years. He told us he had plenty more and made it quite clear that he’d be disappointed if I didn’t take them.

We walked out of the shop with a bracelet, a small collection of somebody else’s old stamps, and the strange warmth that comes from an interaction you couldn’t possibly have planned.

Looking back, I think that’s also what I remember most about Japan: how much difference the finer details make.

A man in a dark coat drawing incense smoke towards himself at a large bronze censer, cherry blossom behind
The blossom came out towards the end of the trip.

We packed far too much into those three weeks—there were days when we walked twenty or twenty-five thousand steps—and there is a lot of the trip that deserves its own post. This is the overview: the route we took, some of the photographs I came back with, and a few of the things I still find myself thinking about.

A castle keep floodlit at night behind pines, with paper lanterns lining the path in front of it
Matsumoto Castle, lit after dark.
Filed undertraveljapancitiesspring